Summer Percussion Camp 2011
July 31 - August 5
About The Camp
Facilities
UW-Whitewater is proud of its strong music department and facilities. Each student will have access to a variety of percussion instruments including marimbas with extended range, timpani, drum sets, and a variety of hand percussion instruments. The University maintains an attractive campus with full recreational services including swimming.
Student Preparation
Experience in the student’s school music program is highly recommended but not required for admission to the camp. Students will be required to play a short placement audition for camp percussion ensembles. Music will be sent to students with their camp information packets, about 2-3 weeks prior to the start of the camp.
Equipment
Each student should bring his/her own sticks and mallets. A complete assortment of mallets is not necessary; each student should only bring what he/she currently owns. Students do not need to bring drums or any other instruments as they will be provided. A practice pad would be useful but is not required.
Other Activities
Camp staff will present performances for the students. These performances are free and open to the public. On Friday afternoon, the camp will conclude with student performances. Parents are encouraged to attend these performances when they come to pick up their child.
Prospective Campers
Middle school through high school percussionists are encouraged to apply. Early application is recommended as the camp size will be controlled to allow students to receive significant instructional time. Current high school seniors are welcome.
Tobie Wilkinson, Camp Director
Tobie Wilkinson has been a member of the music faculty since 2002. Since his appointment, the percussion studio has become a vibrant place to train young percussionists using the “total percussion” model, and has become a respected member of the percussive community. In addition to concerts every semester on the UWW campus, the Percussion Ensemble has performed at the WSMA State Music Conference, and at the Wisconsin PAS “Day of Percussion”. Active as a free-lance performer, Mr. Wilkinson has performed with the Bel Canto Chorus Orchestra, the Milwaukee Ballet Orchestra, the Racine Symphony, and the Waukesha Symphony. He has also performed with the Madison Symphony, and the Wisconsin Chamber Orchestra. Prior to his appointment at UW-Whitewater, he was Principal Percussionist with the Greater Lansing Symphony, and Principal Timpanist with the West Shore Symphony, and Orchestra X in Houston, TX. Mr. Wilkinson was also a member of the Pacific Music Festival Orchestra under the direction of Michael Tilson Thomas and Charles Dutoit. In addition, Mr. Wilkinson has performed with touring Broadway companies, and pop artists for special events.
Equally active as a chamber musician, Mr. Wilkinson performs on faculty recitals and is co-founder of the UW-Whitewater new music ensemble, SONICT. The UW-Whitewater Percussion Ensemble also performs on many SONICT concerts under his direction.
In his role as Assistant Marching Band Director, Mr. Wilkinson works closely with the percussion section as instructor and arranger. He also adjudicates marching bands and has worked with numerous high school percussion sections across the Midwest.
Dedicated to teaching young musicians, Mr. Wilkinson has hosted Percussion Camp every summer since his appointment. He also remains active as a clinician and adjudicator. Mr. Wilkinson is a member of the Percussive Arts Society, the Music Educators National Conference, and the American Federation of Musicians. He is currently the Vice President/President-elect for the Wisconsin Chapter of PAS, and has served as director of the Wisconsin PAS Collegiate All-Star Percussion Ensemble.
Derek Crawford
Drummer/ percussionist Derek Crawford has come a long way from his humble origins in Port Huron, MI. Taking an interest in drums at age seven, Derek has gone from basement band beginnings to being a first-call figure in the Chicago music scene. Derek always brings a distinctive percussive voice to any situation he plays in while displaying versatility not found in many musicians. He is equal parts rock and jazz and is at home locking into a tight rock and roll groove or stretching a composition to its improvisational limits. His style could be described as 'John Bonham plays Stewart Copeland on a Miles Davis gig.' While attending Central Michigan University, Crawford studied orchestral percussion under the late Robert Hohner. He performed as a member of the Robert Hohner Percussion Ensemble and recorded with this nationally recognized group on composer David Gillingham’s landmark recording "Stained Glass; Music for percussion". In 1995 he transplanted himself in Chicago’s budding music scene and set about making his mark.
Since making Chicago his home, Derek Crawford has performed and recorded with some of the best talent the Midwest has to offer. A partial list of credits reads like a who’s who of Chicago music and includes; organ trio Bakelite Army, songwriter Brent Puls, The White Saddle Band (celebrating 30 years in 2010), pop newcomers Clip Art, singer Brad Cole, songbird Katie Todd, Dick Prall, Glen Phillips (Toad The Wet Sprocket), alt-country stalwarts Bleary, Sunday Runners, the futuristic Todd Bowie, John Munson (of Semisonic), Mike Hoffman (of E.I.E.I.O.), Starch Martins, saxophonist Frank Catalano, The Northwoods Improvisors, indo-pak-fusion guitarist Fareed Haque, Ellen Rosner, punk blues legends The Convulsions, jazz legend Ari Brown, The All Rectangle, and R&B chanteuse Jade Maze.
Don Raaymakers
Director of Strike Percussion Ensemble, Don received his Music Education Degree from Central Michigan University where he studied with the highly esteemed late Robert Hohner. Currently, Don is the band director at Duncan Lake and Kraft Meadows Middle Schools in Caledonia, Mich. Don played with the Robert Hohner Percussion Ensemble for six years in which time he recorded three CD’s, “Far More Drums” for Sony and DMP, “Third Wind” (independently released), and a third disc which has not yet been released. Don has also taught four years at the Central Michigan Percussion Workshop and eight years with marching band camps. Strike was created in the fall of 1996 with only a few members now having grown close to fifty percussionists. Strike has played many venues such as the Grand Rapids Festival, Van Singel Museum, Michigan Youth Arts Festival, PASIC, and many more. Strike prides themselves on the many genres of music they play and the complexity of the music as well as the hours of dedication put forth. Strike continues to grow musically as they live by the philosophy of Don’s late teacher, “Play beautiful music, become beautiful people.”
Kelley Radowick
Kelley Radowick has been teaching middle and high school students for over five years. Radowick received her Bachelor of Music Education degree from Central Michigan University where she was a member of the Robert Hohner Percussion Ensemble and student of the late Robert Hohner. Radowick currently teaches elementary music, percussion ensemble, and percussion lessons in the Woodhaven School District. Her ensembles have consistently received outstanding ratings at Michigan solo and ensemble festivals. She has also taught and arranged for high school drumlines throughout the State of Michigan. Radowick maintains an active teaching and performing schedule and is a member of the Percussive Arts Society.
Instructional Focus
On the first day of camp, students will play a very short audition and be placed in percussion ensembles and small groups for master classes according to age, audition results, and ability. Each student will have the opportunity to attend master classes in the following areas:
- Grip and Snare Drum Technique: Discussion will include how to grip the snare drum stick appropriately. The development of strong technique will be emphasized.
- Drum Set: Students will have the opportunity to learn various techniques and styles used in drumset performance. They will also learn about the history of the drumset and its evolution over the past two centuries. Other topics may include: influential drummers, timekeeping, set-up, drum selection, and equipment suggestions.
- Mallet Percussion: Students will learn strategies for improving reading skills and proper technique on mallet instruments. Four mallet grips and techniques will also be covered.
- Symphonic Percussion: Students will be exposed to proper technique using cymbals, tambourine, castanets, and other accessory instruments.
- Timpani: Tuning, proper playing techniques, sound production, and mallet selection will be covered.
- Hand Percussion: Students will have the opportunity to work on basic hand drumming techniques. Conga and bongo technique will be a primary focus. Other areas of instruction may include sessions on djembe, bodhran, and tabla.
Percussion Camp
The five-day Summer Percussion Camp is designed to give percussion students the resources to further their percussion skills. The staff will cover many styles of percussion with emphasis given to the development of strong technical fundamentals and exposure to percussion ensemble playing. All students will have the opportunity to attend different types of master classes and perform on a wide variety of percussion instruments. All students will have the option to receive private lessons from camp staff members. All students will perform in a percussion ensemble directed by camp staff members. The students will have the opportunity to socialize and use many of the University’s recreational facilities.
Camp Fees
Resident $425
Includes room, all meals, recitals, access to all instruments, camp insurance, t-shirt, and tuition.
Commuter $350
Includes lunch and dinner, recitals, access to all instruments, camp insurance, t-shirt, and tuition.
Insurance
Each camper will be covered by a limited accident insurance policy. The cost of insurance is included in the registration fee. Precautions will be taken to prevent any accidents, and there will be camp health supervisors available. The insurance includes primary coverage up to $1000, secondary coverage up to $5000, and $300 maximum dental insurance. (Insurance does not cover pre-existing injuries and is for camp-related accidents only.)
Special Notice
The University of Wisconsin-Whitewater is committed to equal opportunity in its educational programs, activities and employment policies, for all persons, regardless of race, color, gender, creed, religion, age, ancestry, national origin, disability, sexual orientation, political affiliation, marital status, Vietnam-era veteran status, parental status and pregnancy.
If you have any disabling condition that requires special accommodations or attention, please advise us well in advance. We will make every effort to accommodate your special needs.
I understand that the University may take photographs and or videos of event participants and activities. I agree that the University of Wisconsin-Whitewater shall be the owner of and may use such photographs and or videos relating to the promotion of future events. I relinquish all rights that I may claim in relation to use of said photographs and/or videos.


